M.J. Calabrese has a new Gay/Bi mystery thriller out: "Warrior's Way." And there's a giveaway!
Friends since childhood, Albuquerque detective Eagle Woodard and criminal profiler Adam Coulter are dragged into a serial killer case. Gay couples are being murdered and tortured and the FBI needs their help to capture the sadistic murderer.
Deciding to implement a plan to trap the killer, Adam and Eagle go undercover as an involved gay couple. Or is it really pretend?
Faced with their toughest challenge yet, they must find the active serial killer before he strikes again. With the powers that be not cooperating and the killer proving to be elusive, will Eagle and Adam be able to stop the murderer while navigating their changing relationship?
Please Note: This is the first book in an ongoing story arc. Although the case is solved, the relationship ends on a cliffhanger. Contains graphic violence and scenes of torture.
M.J. is giving away a $25 Amazon gift card with this tour. Enter via Rafflecopter for a chance to win:
The cool wind attacked Eagle Woodard’s body as he fell head over heels. He tumbled, body tightly tucked as he cleared the modified Cessna, momentarily catching sight of the blue, cloudless horizon before stretching out to embrace the air. Below him, the rust toned surrealist canvas of desert and mountains began to take shape as he allowed himself to freefall through the biting tempest. The winds transformed his tanned face, warping it into a mad, Joker-esque grin.
The former Army Ranger set his plan into motion. Pulling his muscular arms tightly against his torso, the angle of his descent began to change. ‘I feel the need, the need for speed.’ If the wind hadn’t been so brutal, he would’ve laughed. How many times had they used those iconic words in training? At 38, it felt like a lifetime ago.
Eagle tilted his head down. He pressed his legs together with toes pointed toward the heavens, becoming a human bullet streaking through the atmosphere. He could feel the friction heating his head and shoulders. His dark, goggle covered eyes flickered to the left, quickly gauging his altitude in relation to the horizon. One…, two…, three seconds passed.
Eagle reveled in the multitude of sensations inundating his body. The angry roar of the wind deafened him. The white noise of the rushing air blotted out all sound except for the popping of the black, nylon jumpsuit. The wind strained the cloth protecting him almost to its limit. The powerful, talon-like turbulence threatened to shred his clothes, leaving him bare and unprotected from the tempest. The bee sting lash of his long, raven ponytail as it whipped against his neck and face revitalized and reddened his brown skin.
‘Four…, five…, six…, seven…, eight.’ With an eerie calm, Woodard counted the seconds. As he drew closer and closer to terra firma, his confidence in his abilities never wavered. Here he was master. Here he was the great bird of his people’s folklore. He was the embodiment of Atsáh, the Eagle, swooping with deadly accuracy toward his prey on the ground.
The Albuquerque homicide Detective didn’t need to see his altimeter. He knew he only had a few more moments of precious freedom. Reluctantly, his right hand moved reflexively to the left side of his chest. Gripping the cold metal ring, he tugged.
A grunt of air was forced from his lungs. The nylon straps crisscrossing his body suddenly tightened, drawing him up. Eagle grimaced as pain seared up his back. The sudden opening of his parachute at this rate of speed aggravated more than one old injury. Gravity, the purveyor of his discomfort, pressed his chin to his chest for an instant before the strain of rapid deceleration eased.
With skill born of countless jumps, Eagle maneuvered the billowing canopy toward his destination. Calculating the high desert cross winds, he made a last-minute correction which allowed him to plant his right foot firmly onto the center of the large, white cross target. As his left foot touched down, he leaned back, encouraging his chute to take the rest of the breeze until it collapsed and fell impotent to the sand. Instantly, the tall man began to gather the yards of thin ripstop nylon and cord into his arms, beating down any last show of resistance from the exuberant ram-air parachute.
Turning, Eagle reached up and pulled his goggles from his face just as his cell phone rang. Pulling it from his zippered pocket, he grimaced at the sight of the familiar number.
“I thought I was supposed to have a day off, Captain.”
“You do, but I’ve got an FBI agent here that needs to talk with you. Says you knew his brother. Here, talk to him.”
“Detective Woodard, my name is Kessler. Rick Kessler. I think you served with my brother, Dean, in the Army.”
The voice and the name triggered unpleasant memories of a time he had tried to bury. He couldn’t tell if it was his Spanish or Navajo side sending a warning chill up his spine. Suddenly, Eagle realized the man on the other end of the line was waiting.
“Yeah, sorry. Yeah, I remember Dean. He died in Afghanistan, didn’t he? Sorry.”
What Woodard remembered was what a closeted bastard the guy had been and how he’d used the knowledge of Eagle’s own closeted sexuality against him. Threatening to report him and risking dishonorable discharge at best…, or death if members of their team found out. He didn’t mourn Dean Kessler’s passing when he got word that some insurgents finished him. “Captain said you were with the FBI?”
“Yes. Detective Woodard, I’ve heard a lot about you and Dr. Coulter. I was very impressed when you apprehended Martin Devoreaux. I read the case report. You and Dr. Coulter are quite the team. The good doctor’s a legend at the bureau. His book on Ritual Behaviorism Among Serial Killers is mandatory reading now at the academy.”
“Oh, Adam would love to hear that.” Eagle rolled his eyes. The last thing Adam Coulter needed was something to bolster his ego.
“If it’s alright, I really need to talk with both of you about a case I’m working. I think you might be able to help me.”
“No. I’m still putting some final touches on a plan I’ve got in motion. How about tomorrow morning at your home? I want to keep this as low key as possible. Strictly, on a need to know basis, so I’d prefer it if your Captain and I met with you and Coulter privately.”
Eagle unzipped his jumpsuit from chin to navel. “What time?”
“Sure. Tell Cap to bring the creamer.”
Pocketing his phone, Eagle gathered his parachute from the ground and slowly made his way to his truck. Stowing the chute away, he unzipped his jumpsuit the rest of the way. Dragging it down off his shoulders, he revealed a tan-colored work shirt and jeans. He pushed the loose-fitting black nylon from around his narrow waist. Wrestling the last couple of inches of fabric over his shoes, Eagle jerked the material free and tossed it behind the driver’s seat completing his impromptu striptease. He looked up toward the sun before glancing at his watch.
“Yeah…, I know, I’m late.” He said to no one, but the wind.
Do Books Spring to Life with a Character First or an Idea First?
I guess, for me, it’s an idea first. I’m a bit unusual in that I see an opening scene in my head and like on TV or in the movies the story begins to play out in front of me. I write as it unfolds, at least in outline form and I begin to transcribe what I am seeing. My background as a screenwriter has taught me that if I don’t have a good beginning, middle and end then don’t even start because I am never going to finish it. I spend a lot of time with a story in my head before I ever start putting it on paper or in the computer. My wife had to get used to me staring off into space for hours on end or when we went on a long trip somewhere, I’d be driving, but I wouldn’t say anything for long periods.
Occasionally she’d ask if I was writing in my head and usually the answer is yes. If I don’t have all the elements coming together scene by scene, I sometimes have to leave the story until I do complete it in my head.
I started thinking about Warrior’s Way back in 2006. Off and on the story would come to the forefront of my mind and it would progress scene by scene. It began with an action scene, which in the book is Eagle skydiving. We don’t really know anything except a man in falling out of an airplane. We see things and feel things from his point of view. Eagle Woodard actually came together when I met actor Tony Black who his Peruvian and Cherokee lineage and later Eric Schweig, who is Chippewa-Dene and from part of a Canadian Native Tribe (best known for his part in Last of the Mohicans and Big Eden). They are the physical basis and vocal basis for the character, until then I didn’t have the look set in my head. Adam Coulter was patterned off another friend with his looks and intelligence, as well as his addiction problems that figure prominently in all three Coulter/Woodard books.
The opening scene for Warrior’s Way actually came out of my own experience skydiving in Southern California. I was born in the desert in the town of Palm Springs and so the topography is similar to the Southwest desert around Albuquerque. I know what the wind feels like whipping against your skin. I know what it feels like when your chute opens. I learned to write action scenes when I was at UCLA. I took classes under some noteworthy writers. For the action, I studied under Gerald Petievich who wrote To Live and Die in L.A. and sitting next to me in class was the only other woman, Sue Grafton.
I talk to myself, especially in the bathroom, and I’ll try out each character’s dialogue as they talk to me in my head. I see the scene first and then like in a movie, the actors/characters will walk in and start to tell me what is going on. Sometimes, in my head, I’ll rewind and go a different direction, just to see what will happen. I’m doing that right now with a story. I like the original ending I constructed, but then I wondered if it could be better, if I did this instead of that. It’s amazing how it can change the whole flavor of a story.
In short, idea/scene first, then the characters walk on stage for me. I’ve tried to write for a character, i.e. fanfic (which I still do from time to time for fun), but I look at that as just expanding on another writer’s work, not creating from scratch.
My mother now regrets her fateful words she offered the day I came home from our small town library in Palm Springs, California (yes, I’m a Cali girl) complaining that there were no more books to read. “Then why don’t you write some.”
My father never saw his old Remington portable until I entered college and they gifted me an IBM Selectric. By then I had produced at least two dozen unpublishable novels which make me cringe when I read them today.
I found inspiration in innumerable odd jobs (from migrant work as a Date palm pollinator to the person who cleans the washing machines at the launderette to professional Dominatrix) for stories. After a stint in Rehab for Alcohol and Heroin abuse (so when I write those scenes, I know what I’m talking about), I cleaned up and have stayed that way for 29 years. (Me and Sir Elton, LOL). My gypsy lifestyle gave me a unique perspective on the different people who inhabited the Washington, Oregon, Arizona, California, and New Mexico areas where I have lived.
After 3 very bad marriages to men, I finally figured out what was wrong and fell in love with a woman when I lived in Portland, OR 23 years ago. We’ve been married since 2008 (yes it was legal in California at that time). We now live in Asheville, NC and love the people in this liberal and accepting corner of the mountains of North Carolina.
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