Title: Fairies at the Bottom of the Garden
Author: Cheryl Headford
Publisher: NineStar Press
Release Date: November 13, 2017
Heat Level: 3 - Some Sex
Genre: Fantasy, Romance, gay, fairy, British humour, fantasy, abuse
All Keiron wants is a quiet life. Fat chance with a boyfriend like Bren. But if he thought Bren complicated his life, that was nothing compared to the complications that begin when he opens the door to what he thinks is a naked boy claiming to be his slave.
Draven is a fairy with his sights set on the handsome human who keeps a wild place in the garden for fairies. When Draven slips through a fairy gate into the city, he sets in motion a series of events that binds him to Keiron forever, and just might be the end of him.
While Draven explores Keiron’s world with wide-eyed wonder, Keiron does everything he can to keep Draven’s at bay, until the only way to save Draven and bring him home is to step into a world that should exist only in children stories.
Fairies at the Bottom of the Garden
Cheryl Headford © 2017
All Rights Reserved
Keiron hurried home at the end of a very long day, anticipating some peace and quiet. He liked a quiet life, so what had possessed him to take on a boyfriend like Bren Donovan was anyone’s guess. Whatever else it might be, life with Bren was certainly not quiet, and it was slowly wearing Keiron out.
It was almost a relief Bren wouldn’t be staying at the flat that night. Although they were practically living together, Bren had his own place and sometimes felt the need to stay there. This was usually because a member of his family—or particularly flighty friend—was coming to stay. It wasn’t as if his family wasn’t aware of their relationship, but Bren was shy about “rubbing it in their faces”. Keiron didn’t understand because Bren’s mother seemed to like him a great deal and considered him to be a stabilising influence on her son.
Keiron was a conservative person and so different to Bren, they might as well live in different worlds. As for Bren’s friends, they were usually very like him—loud, messy, and irresponsible. Keiron couldn’t stand them. He was lucky if nothing got broken, and they always left the flat in a complete mess. If Bren wanted to live in a pigsty, so be it. He could do it in his own home.
This weekend, with the bank holiday, Bren was getting both. His friends were congregating on Saturday. Then his parents and sister were coming on Sunday, and staying through until Tuesday morning. Keiron had a Bren-free weekend and was looking forward to it.
If it hadn’t been for their differences on this point, they’d have moved in together a long time ago. Bren chafed for it, but Keiron couldn’t handle his flat descending into chaos, and it wasn’t even as if Bren helped tidy up afterwards. Keiron cringed at the thought of having that chaos and therefore stress every day.
Not only that, but Bren was the most jealous person Keiron had ever come across. Keiron was constantly accused of looking at other men, and God forbid he spoke to one. Bren was a firebrand, completely living up to his fiery red-headed Irish-descended promise. Sometimes it was exciting, even invigorating, yet at other times Keiron longed for the peace and stability he used to have before Bren burst in on him. Maybe at twenty-two, he was just getting old.
Keiron ordered takeaway and, while he waited for it to arrive, wandered down to the bottom of the garden, a beer in his hand, his hair damp from the bath. The sun was still high and warm enough for him to be wearing a thin T-shirt and shorts. The smell of a barbecue drifted over from a neighbouring garden and his mouth watered.
Savouring his drink, he sank onto the stone bench under the rose arbour. It afforded a good view of the whole garden. It was a big one. A long lawn stretched ahead of him to the decking immediately outside the house, where a large wooden table, a number of items of garden furniture, and a shiny silver gas barbecue sat.
Sometimes, he had Bren’s friends around for a barbecue. They weren’t so bad out here in the garden, although they made such a mess of the barbecue itself that it took him days to get it properly clean. He smiled to himself. Sometimes, living with Bren was like having a teenage son. Fortunately, Bren was very good at things he’d hate to think any son of his could do.
The lawn was bordered on either side by flower beds and bushes, which hid the wooden fences separating his garden from the ones on either side. To his left, screened from the arbour by a yew hedge, was a garden pool with a rock fountain and fat koi swimming under lily pads. There used to be more fish—before Bren’s friends found the pond. He pursed his lips at the thought.
To the right was a shrubbery. A large variety of plants made up a wild area of about thirty square feet. Bren loved it, of course. He’d burrowed into it and, within a week, had made a green cave right in the middle. He’d floored it with an old piece of carpet he’d found on a skip. It had taken a long time and a lot of carpet-cleaner to persuade Keiron to enter it, but he had to admit, making love outside under the bushes in the darkness was something he’d come to enjoy very much.
Bren had been surprised he had such a wild place in his neat garden, in his neat life. Perhaps it was the thing that sealed the deal with Bren, who’d been reluctant to get involved with someone so unlike himself, and likely to “cramp his style”.
“But why?” he’d asked. “It doesn’t seem like you to have a wild place like this. It’s so out of place—with the garden and with you. Why haven’t you ‘tamed’ it? Everything else in your life is tame. You’re the most vanilla person I know—except for this.”
They were in the “cave” at the time. It was dark but warm, and they were holding each other in the afterglow of amazing sex. Keiron had smiled lazily and sighed.
“My mother used to live out in the country somewhere when she was a child. My grandmother never took to city life. She told me once there was no room in a city for life, real life. Nowhere for roots to reach the earth. No place for the fairies.”
“Oh yes, she was very superstitious about fairies. Never had anything made of iron in the garden. Put out saucers of warm milk if there was a deep frost or snow. And always had a wild place in the garden—for the fairies.”
Bren had smiled at him. “I never thought you had any of that in you, Keiron. I guess there’s hope for you yet.”
Keiron had grinned and held Bren tightly in his arms.
Keiron smiled at the memory and took a drink of his beer. Something caught his eye, and he turned towards the shrubbery. He was sure he’d seen something move, shooting across his vision, behind the trees. He stared hard, but there was nothing there. It must have been a squirrel. He saw them now and again, scrabbling for nuts under the hazel tree or acorns from the enormous oak that overhung the garden from next door.
With a sigh, he settled back and took another drink. His stomach rumbled, and he glanced at his watch, wondering when his pizza would get there. The deliveryman was a regular, and if there was no answer at the door, he’d text to say he’d arrived. So Keiron could relax and not worry about—
There was definitely something there. It moved again. He’d seen it—a flash of white. A cat? Most of the neighbours had cats, and they liked to hang about in the shrubbery, waiting to pounce on unsuspecting birds. It had taken a lot of work to get rid of the smell of cat pee from the carpet.
Ah well. Although…something nagged at the back of his mind. It wasn’t a cat. It couldn’t have been a cat because it hadn’t looked like a cat. It had looked like a person. A small person with a pale pointed face. But it had only been a fraction of a second, a flash, an impression. It was nonsense, of course.
Maybe it was one of the fairies. He smiled.
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Had any of your literary teachers ever tell you growing up that you were going to become a published writer one day?
My junior school teacher, Mrs Foxhall always used to say that. It meant a huge amount to me at the time. I was unhappy in school
If you’re writing about a city/country/culture you haven’t physically visited, how much research do you conduct before you start writing?
I try to keep my books non--specific as to where they are set. I rarely mention any place names and when I do I often make them up. All my books are set in the UK and some are definitively set in Wales but I don’t like to be inhibited by the limitations of having them set in a specific location.
Were your parents reading enthusiasts who gave you a push to be a reader as a kid?
My parents were in no way reading enthusiasts. I never say my father read anything other than the occasional newspaper and my mother read magazines and, when she got older, Mills and Boon. I come from a fairly poor, working class background. My father was a miner and my mother worked in a factory. My mother, in particular had very strong views about “getting above my station” and “being big-headed”. She had a little song “Why does everybody call be big-head” that she would sing all the time. She actively discouraged me to read too much, and to write at all. That wasn’t something “people like us” did. She also disapproved of me going to university.
Is there a particular kind of attire you like to write in?
As comfortable as possible. When I’m at home I write in my pyjamas. I have a tiny house. There is no room for an office so I write on a laptop on a little over-the-lap table. One of the reasons I don’t do skype or anything of that kind where people can actually see me is because I’m usually in ratty pyjamas, with a blanket around me and often chocolate on my face.
Have you ever turned a dream or a nightmare into a written piece?
A lot of my books, especially the fantasy/sci fi ones are based on dreams. I don’t have nightmares, but if I did I’m sure I’d use those too. Fairies at the Bottom of the Garden started life as a dream. I dreamed the first bit, where Draven is spying on Keiron, peeping out from the bushes. I even painted it.
Which character(s), created by you, do you consider as your masterpiece(s)?
Silver from the Enigma series. No hesitation; no competition. He is absolutely the best person I know. Silver was a sex slave; taken at twelve and “released” at nineteen. He was totally conditioned, his entire personality wiped away. He was beaten almost to death for the sin of falling in love, and yet he has retained a massive capacity for love. Silver is so flawed but so perfect.
How do you incorporate the noise around you into the story you are writing at the moment?
When I’m writing there is no “noise around me” because I am in the story. I hear what the characters hear and see what the characters see, not what is going on in my real life. That’s why I don’t have a television anymore, I simply couldn’t watch and write because I couldn’t be in two places at once, and it is almost impossibly hard for me to sit and watch and not write.
Meet the AuthorCheryl was born into a poor mining family in the South Wales Valleys. Until she was 16, the toilet was at the bottom of the garden and the bath hung on the wall. Her refrigerator was a stone slab in the pantry and there was a black lead fireplace in the kitchen. They look lovely in a museum but aren’t so much fun to clean. Cheryl has always been a storyteller. As a child, she’d make up stories for her nieces, nephews and cousin and they’d explore the imaginary worlds she created, in play. Later in life, Cheryl became the storyteller for a re enactment group who travelled widely, giving a taste of life in the Iron Age. As well as having an opportunity to run around hitting people with a sword, she had an opportunity to tell stories of all kinds, sometimes of her own making, to all kinds of people. The criticism was sometimes harsh, especially from the children, but the reward enormous. It was here she began to appreciate the power of stories and the primal need to hear them. In ancient times, the wandering bard was the only source of news, and the storyteller the heart of the village, keeping the lore and the magic alive. Although much of the magic has been lost, the stories still provide a link to the part of us that still wants to believe that it’s still there, somewhere. In present times, Cheryl lives in a terraced house in the valleys with her son, dog, bearded dragon and three cats. Her daughter has deserted her for the big city, but they’re still close. She’s never been happier since she was made redundant and is able to devote herself entirely to her twin loves of writing and art, with a healthy smattering of magic and mayhem.
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